Анотація
У статті розглянуто мадригали з перших чотирьох Книг Клаудіо Монтеверді. Визначено специфіку образно-емоційної сфери, виявлено принципи втілення поетичного тексту в музичній тканині мадригалів. Здійснено підрядковий переклад українською мовою мадригалів «La vaga pastorella» з Першої книги (1587), «Non si levav’ancor» із Другої книги (1590), «Sovra tenere erbette» з Третьої книги (1592), «А un giro sol de’ bell’occhi lucenti» з Четвертої книги (1603). На основі аналізу перелічених творів прослідковано процес зміни тематики поетичних текстів від Першої до Четвертої книг мадригалів Клаудіо Монтеверді.
Посилання
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15. Schrade, L. (1950). Monteverdi: Creator of Modern Music. New York: Norton [in English].
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17. Whenham, J., Wistreich, R. (2007). The Cambridge companion to Monteverdi. Cambridge; New York: Cambridge University Press [in English].
2. Zharkova, V. (2011). Madrigals by Claudio Monteverdi in the context of the musical culture of his time. Mystetstvoznavchi zapysky, 20, рр. 3–9 [in Ukrainian].
3. Ignatieva, N. (2017). Madrigals of Mantuan Composers for Texts of the Faithful Shepherd J. B. Guarini (on the history of the second practice). PhD thesis. Moscow State Tchaikovsky Conservatory. Moscow [in Russian].
4. Konen, V. (1971). Claudio Monteverdi. Moscow: Muzyka [in Russian].
5. Molchanov, A. (2008). Semantic role of replay in music. Vestnik Moskovskogo gosudarstvennogo universiteta kultury i iskusstv, 5, рр. 284–286 [in Russian].
6. Nazarova, N. (2014). The transformation of the madrigal genre in the work of C. Monteverdi. Kultura narodov Prichernomorya, 277, p. 119–122 [in Russian].
7. Pieshkova, V. (2018) «Altri canti d'amor tenero arciero» from the «Eighth Book» of madrigals by Claudio Monteverdi: the integrity of the musical composition. Kyivske muzykoznavstvo, 57, pp. 153–163 [in Ukrainian].
8. Pieshkova, V. (2016). C. Monteverdi’s madrigal «Hor che’l ciel e la terra» («The time when heaven and earth»): features of the embodiment of the poetic text. Kyivske muzykoznavstvo, 54, pp. 79–85 [in Russian].
9. Yuneeva, E. (2015). Musical culture of Italy of the XVII – XVIII centuries: the phenomenon of baroque opera. PhD thesis. Volgograd State Medical University. Volgograd [in Russian].
10. Arnold, D. (2005). Monteverdi. 3rd ed. T. Carter (Ed.). Oxford: Oxford University Press [in English].
11. Bianconi, L. (1987). Music in the Seventeenth Century. Cambridge: Cambridge University Press [in English].
12. Gallico, C. (1979). Monteverdi: musical poetry, theater and sacred music. Torino: G. Einaudi [in Italian].
13. Monteverdi, C. (1973). Letters, dedications, and prefaces. D. De’ Paoli (Ed.). Rome: De Santis [in Italian].
14. Pryer, A. (2012). Introduction. In: A. Pryer, ed. Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci, [online] Cremona: Fondazione Claudio Monteverdi, pp. 3–13. Available at: https://www.academia.edu/33728297/Claudio_ Monteverdi_Sacrae_Cantiunculae_Madrigali_Spirituali_Canzonette_a_3_Voci [Accessed 05 January 2019] [in English].
15. Schrade, L. (1950). Monteverdi: Creator of Modern Music. New York: Norton [in English].
16. Tomlinson, G. (1987). Monteverdi and the End of the Renaissance. Oxford: Clarendon Press [in English].
17. Whenham, J., Wistreich, R. (2007). The Cambridge companion to Monteverdi. Cambridge; New York: Cambridge University Press [in English].