Ключові слова
чуттєва культура, мультисенсорний підхід у музикознавстві, місто, фланування, Жорж Кастнер
Як цитувати
Idrisova, S. (2019). The Чуттєва культура і музикознавство: аналіз есею Жоржа Кастнера «Les Voix de Paris» (1857). Київське музикознавство, (59), 156-170. https://doi.org/10.33643/kmus.2019.59.12
Анотація
Переосмислення ролі тілесного досвіду в процесі пізнання себе й навколишнього світу стало маркером «чуттєвого зрушення» в сучасній гуманітаристиці. У статті окреслено шляхи перетинів між «сенсуальними студіями» і музикознавством. На основі аналізу літературно-музичного есею Жоржа Кастнера «Голоси Парижа» (1857) ми дійшли висновку, що культурні практики повсякденності безпосередньо впливають на режими сприйняття композитора і можуть реалізовуватися у тканині музичного твору. Іншими словами, твір мистецтва виступає матеріальним втіленням чуттєвого буття його автора.
Посилання
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2. Simmel, G. (2010). From the «Excursus on the Sociology of Senses». K. Levinson (Trans.). In: O. Vainstein (Ed.) Aromas and smells in the history of culture. Vol. 1. Moscow: Novoye Literaturnoye Obozreniye, pp. 19–36 [in Russian].
3. Kryvosheya, T. (2009). Sensory culture as a subject of modern humanities. Kyivske muzykoznavstvo, [online] 30, pp. 3–9. Available at: http://www.glierinstitute.org/ukr/ digests/030/1.pdf [Accessed 22 March 2019] [in Ukrainian].
4. Pakhomova, E. (2017). Synthesis and Synaesthesia in the works of Ukrainian composers of the second half of the 20th and the beginning of the 21st century. Chasopys Natsionalnoi muzychnoi akademii Ukrainy im. P. I. Chaikovskoho, 1 (34), pp. 101–112 [in Ukrainian].
5. Prykhodko, A. (2013). Instrumental theatre in the sociocultural space of ХХ–XXIst centuries. Muzychne mystetstvo, [online] 13, pp. 95–102. Available at: http://nbuv.gov.ua/UJRN/Muzmyst_2013_13_13 [Accessed 21 March 2019] [in Ukrainian].
6. Syuta, B. (2010). The basics on paramusicology. Kyiv: Vydavnychyi dim Dmytra Buraho. [in Ukrainian].
7. Adams, M., Guy, S. (2007). Editorial: Senses and the City. The Senses and Society, 2 (2), pp. 133–136. DOI: 10.2752/174589307X203047 [in English].
8. Barthes, R., Howard, R. (1991). The responsibility of forms: critical essays on music, art, and representation. Berkeley: University of California Press [in English].
9. Benjamin, W. (2002). The arcades project. H. Eiland, K. Mclaughlin (Trans.). Cambridge, Massachusetts: Belknap Press of Harvard University Press [in English].
10. Boutin, A. (2012). Aural Flânerie. Dix-Neuf, 16 (2), pp. 149–161 [in English].
11. Boutin, A. (2015). City of Noise: Sound and Nineteenth-Century Paris. Chicago: University of Illinois Press [in English].
12. Burke, P. (2010). The Cultural History of the Travelogue. Przegląd Historyczny, [online] 101 (1), p. 1–11. Available at: http://bazhum.muzhp.pl/media/files/Przeglad_Historyczny/ Przeglad_Historyczny-r2010-t101-n1/Przeglad_Historyczny-r2010-t101-n1-s1-11/ Przeglad_Historyczny-r2010-t101-n1-s1-11.pdf [Accessed 21 March 2019] [in English].
13. Steward, J., Cowan, A., Pinol, P. and Rodger, P. (2007). City and the Senses: urban culture since 1500. Aldershot: Ashgate [in English].
14. Classen, C. (2012). The deepest sense: a cultural history of touch. Urbana, Chicago, Springfield: University of Illinois Press [in English].
15. Fétis, F. (1862) Georges Kastner. In: F. Fétis, Biographie universelle des musiciens et bibliographie générale de la musique. Vol. 4. [online] Paris: Libraire de Firmin Didot Fréres. pp. 480–487. Available at: http://books.google.com.ua/books?id=UjzRp4Qs_ KYC&pg=PP7&redir_esc=y#v=onepage&q&f=false [Accessed 21 March 2019] [in French].
16. Gozlan, L. (1886) Balzac intime: Balzac en pantoufles [online]. Paris: A la librairie illustre. Available at: https://gallica.bnf.fr/ark:/12148/bpt6k620418 [Accessed 21 March 2019] [in French].
17. Howes, D. (1991). The Varieties of sensory experience: a sourcebook in the anthropology of the senses. Toronto: University of Toronto Press [in English].
18. Huart, L. (1841). Physiologie du flaneur [online]. Paris. Available at: http://archive.org/details/physiologiedufla00huar [Accessed 21 March 2019] [in French]
19. Jenks, C. (2002). Visual culture. London: Routledge [in English].
20. Kastner, G. (1857). Les Voix de Paris: essai d’une histoire littéraire et musicale des cris populaires. Paris: G. Brandus, Dufour [in French].
21. Laurance, E. (2017) Les Voix de Paris (1857): A Study in Musical Flânerie. In: K. Gibson, I. Biddle (Eds.). Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. London: Routledge, pp. 53–75. DOI: 10.4324/9781315575308 [in English].
22. Lauwrens, J. (2012). Welcome to the revolution: The sensory turn and art history. Journal of Art Historiography, [online] 7, pp. 1–17. Available at: https://arthistoriography.files. wordpress.com/2012/12/lauwrens.pdf [Accessed 22 March 2019] [in English].
23. Merleau-Ponty, M. (2010). Phenomenology of perception: an introduction. London: Routledge [in English].
24. Pallasmaa, J. (2005). The Eyes of the Skin: Architecture and the Senses.Chichester: Wiley [in English].
25. Rodaway, P. (1994). Sensuous geographies: body, sense and place. London: Routledge [in English].
26. Tester, K. (2015). The Flâneur. London: Routledge [in English].
27. Tukova, I. (2010). The art of music of the second half of XX – the beginning of XXI century: the problem of listeners’ perception. Kyivske muzykoznavstvo, [online] 33, pp. 42–47. Available at: http://www.glierinstitute.org/ukr/digests/033/5.pdf [Accessed 21 March 2019] [in English].
28. Vilkner, N. (2016). Sounding streets: Music and Urban Change in Paris, 1830–1870. PhD thesis. The State University of New Jersey. New Jersey [in English].