Ключові слова
відкритий твір, А. Беклін, картина «Острів мертвих», С. Рахманінов, симфонічна поема, творча біографія, взаємодія мистецтв
Як цитувати
Kirdeeva, M. (2019). Картина Арнольда Бекліна «Острів мертвих» як відкритий твір у музичній культурі межі ХІХ–ХХ століть. Київське музикознавство, (59), 170-183. https://doi.org/10.33643/kmus.2019.59.13
Анотація
Суттєва зміна векторів нашого сприйняття та, відповідно, розуміння та пояснення культурних процесів різних часів стимулювали пошук нових, неочевидних зв’язків між мистецтвами. Спираючись на концепцію У. Еко, ми досліджуємо проблему життя відкритого твору у процесах взаємодії мистецтв і виявляємо нові грані зв’язків між мистецтвами. Це, у свою чергу, дає можливість з нової точки зору розглянути художню культуру кінця ХІХ – початку ХХ століття в цілому та симфонічні твори С. Рахманінова, М. Регера та А. Халлена зокрема.
Посилання
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2. Bryantseva, V. (1976). Sergey Vasilyevich Rakhmaninov. A. Kurtzman (Ed.). Moscow [in Russian].
3. Vanechkina, I., Galeev, B. (1975). The concept of the synthesis of the arts of A. N. Scriabin. In: Proceedings of the All-Union School of Young Scientists on the Problem «Light and Music» (third conference). Kazan, pp. 24–30 [in Russian].
4. Apetyan, Z. (Ed.) (1988). Memories of Rachmaninov. Vol. 1, Moscow: Muzyka [in Russian].
5. Kagan, M. (1972). The morphology of art. Moscow: Art [in Russian].
6. Kandinsky, V. (2016). On the spiritual in art (painting). Moscow: EKSMO [in Russian].
7. Kirdeeva, M. (2018). Painting «Isle of the Dead» by A. Beklin as an open piece of art in music pieces by S. Rachmaninov and M. Reher: tendencies of arts interaction in culture of the early XXth century. Master’s degree thesis. Ukrainian National Tchaikovsky Academy of Music. Kyiv [in Ukrainian].
8. Keldysh, Y. (1973). Rachmaninov and his time. Moscow: Muzyka [in Russian].
9. Koryakina, I. (1999). S. V. Rachmaninov. Symphonic poem «The Island of the Dead»: «meeting» with A. Beklin – «meeting» with symbolism? Voprosy istorii kultury, 3, pp. 37–46 [in Russian].
10. Mikhailov, M. (1981). Style in music. Leningrad: Music [in Russian].
11. Medushevsky, V. (1979). Musical style as a semiotic object. Soviet music, 3, pp. 30–39 [in Russian].
12. Nazaikinsky, E. (2003). Style and genre in music. Moscow: Vlados [in Russian].
13. Pasturo, M. (2017). Blue. History of the color. N. Kulish (Trans.). Moscow: Novoye literaturnoye obozreniye [in Russian].
14. Apetyan, Z. (Ed.) (1955). S. V. Rachmaninov. Letters. Moscow: Muzgiz [in Russian].
15. Sabaneev, L. (1923). Scriabin: monographic sketch. Moscow [in Russian].
16. Sarabyanov, D. (1989). Style Modern. Origins. Story. Problems. Part 2. Moscow: Iskusstvo [in Russian].
17. Skrebkov, S. (1973). Artistic principles of musical styles. Moscow [in Russian].
18. Sokolova, O. (1957). Symphonic works by S. V. Rakhmaninov. T. Korovina (Ed.). Moscow: MUZGIZ [in Russian].
19. Stepanov, G. (1973). Interaction between the arts. Leningrad: Khudozhnik RSFSR [in Russian].
20. Tyshko, S. (1993). The problem of national style in the Russian opera. Glinka. Mussorgsky. Rimsky-Korsakov. Kyiv [in Russian].
21. Tyshko, S., Mamaiev, S. (2004). Glinka’s wanderings. Commentary on «Notes». Vol. 1. Kyiv [in Russian].
22. Tyshko, S., Kukol, G. (2011). Glinka’s wanderings. Commentary on «Notes». Vol. 3. Kyiv [in Russian].
23. Fedotova, E. (2001). Arnold Böcklin. Moscow [in Russian].
24. Florensky, P. (1996). Temple action as a synthesis of arts. A. Trubachev, V. Gobies (Eds.). Moscow: Izobrazitelnoye iskusstvo [in Russian].
25. Chealashvili, A. (2010). Artistic synthesis of musical creativity as a sign of a new hour. ART-CURSIV, 4, pp. 18–26 [in Ukrainian].
26. Shaltuper, Y. (1973). Notes on Max Reger. Sovetskaya muzyka, 12, pp. 94–101 [in Russian].
27. Shvets, N. (2008). Culturological synthesis as a style-forming factor in the musical art of the turn of the nineteenth and twentieth centuries (on the example of the works by S. Taneyev and N. Medtner). PhD thesis. Ukrainian National Tchaikovsky Academy of Music. Kyiv [in Russian].
28. Schelling, F. (1966). Philosophy of Art. Moscow: Mysl [in Russian].
29. Eco, U. (2006). Open Piece: Form and uncertainty in modern poetics. A. Shurbeleva (Trans.). St. Petersburg: Symposium [in Russian].