Kyiv Musicology

Current Issue

No 57 (2018)
Published September 8, 2018
Culturology and art study: For the 150th anniversary of R. Glier Kyiv Institute of Music

ISSN 2617-0302

The next collection issue continues the series of publications, which is the result of the scientific research of young music experts of Ukraine. The articles of this publication cover a wide variety of actual problems of Ukrainian and foreign music culture, theory and history of music, music psychology and music sociology, music performance and pedagogics. The collection is addressed to the specialists in the sphere of music arts and culturology, a big number of musicians-practisers, teachers and students of the higher and secondary educational institutions of culture and arts.

Theoretical problems of study of art in the mirror of culturology

Liudmyla Khotsianovska
3-13
Culture of metamodern (first decades of the XXI century) and the choreography art
https://doi.org/10.33643/kmus.2018.57.01
PDF (Українська)
Nataliia Kysla
13-21
Parameters of art-culture on the facets of the classical, nonclassical and post-nonclassical image of the world
https://doi.org/10.33643/kmus.2018.57.02
PDF (Українська)
Larisa Babushka
22-33
Festivation of cultural creation in the space of everyday life
https://doi.org/10.33643/kmus.2018.57.03
PDF (Українська)
Marina Savenko
34-44
The connection between the canon/tradition and the modern understanding of the Mother of God’s ideal in Ukrainian painting
https://doi.org/10.33643/kmus.2018.57.04
PDF (Українська)
Olena Martsenkivska
45-59
The genre of ballad in the music of B. Lyatoshinsky (to the problem of traditions and innovations)
https://doi.org/10.33643/kmus.2018.57.05
PDF (Українська)
Iryna Kokhanyk
59-70
«Gravity» for the piano by Hanna Havrylets: Field of «attraction» of the individual style of the composer
https://doi.org/10.33643/kmus.2018.57.06
PDF (Українська)
Oksana Garmel
71-88
About the dramaturgy of the vocal cycle «Your Lovely Face» by Edison Denisov
https://doi.org/10.33643/kmus.2018.57.07
PDF (Русский)
Tetiana Duhina
89-100
Fugue by M. Ravel from the piano suite «The Tomb of Couperin» as a sample of a close imitation
https://doi.org/10.33643/kmus.2018.57.08
PDF (Українська)
View All Issues