No 56 (2017)
Musicology of Kyiv

ISSN 2617-0302

The next collection issue continues the series of publications, which is the result of the scientific research of young music experts of Ukraine. The articles of this publication cover a wide variety of actual problems of Ukrainian and foreign music culture, theory and history of music, music psychology and music sociology, music performance and pedagogics. The collection is addressed to the specialists in the sphere of music arts and culturology, a big number of musicians-practisers, teachers and students of the higher and secondary educational institutions of culture and arts.

Theoretical problems of study of art in the mirror of culturology

Kristina Dyablova
3-12
The content-singing parallels of the initial and final microcycles of the Orthodox of the Transfiguration feast
PDF (Русский)
Daria Doronkina
12-23
The Genre specificity of the antiphon in the works of Hildegard von Bingen
PDF (Русский)
Daryna Kharytonova
23-32
The symbolic dimension of flute sonatas by Johann Sebastian Bach
PDF (Українська)
Alyona Kushnіruk
32-41
Genre specifics of a march: classification problem
PDF (Українська)
Yunjia Cheng
41-52
Genre of the «celebration overtures» in the context of contemporary chinese symphonic music
PDF (Русский)
Viktoria Antipova
52-59
Influence of indonesian gamelan on the work of european and american composers of XX century
PDF (Русский)
Mariam Verdiyan
59-69
Fifth Symphony of A. Terteryan as the embodiment of oriental sound sensations
PDF (Русский)
Ganna Vovchenko
69-75
Monogram as a leading forming principle in the Alexander Shchetynsky «Cryptogram»
PDF (Українська)
Anna Stoyanova
75-84
Svyatoslav Lunyov's «Trias» as an embodiment of the individual author's style conception
PDF (Українська)
Elmira Dzhabrailovа-Kushnir
84-90
Musical time in the electroacoustic composition «Two hours in reservoir» on a poem by J. Brodsky with the same name by M. Shalygin
PDF (Русский)
Pavlo Lagunov
90-99
Thema-Motive-Period-Mainsatz: a theoretical descriptions of the classical «theme»
PDF (Українська)
Maria Petrova
99-110
Variations by Max Reger on a Theme by Mozart, op. 132 for orchestra: the specificity of interaction of the «primary source» and the original text (on an example theme for variations)
PDF (Українська)

World and native music culture: styles, schools, personalias

Veronika Pieshkova
111-118
On the embodiment of the poetic word in the madrigal of C. Monteverdi «Gira il nemico insidioso amore» («The enemy insidious, Love»)
PDF (Русский)
Yevhen Levkulych
118-127
The dialectic of memory and oblivion in culture: the historical fate of the heritage of Sergei Bortkiewicz
PDF (Українська)
Alina Varshavskaya
128-136
V. S. Kosenko’s Thirteen Moments of Epistolary heritage
PDF (Українська)
Olga Zhukova
136-145
Stylistic features of romance creativity by V. Kosenko on the example of romance «Migrative wind» op. 1 № 4
PDF (Українська)
Diana Skurskaya
145-154
The interaction of stylistic layers as a sense-making factor in the «Prayer» by M. Glinka for a soloist, choir and orchestra
PDF (Русский)
Tetyana Solovyova
154-163
The musical embodiment of the prayer «Our Father» in the V. Stepurkо’s liturgies
PDF (Українська)
Alyona Shulikа
163-173
Painting music of C. Debussy and musical painting of C. Monet
PDF (Українська)
Yliia Shkromyda
173-183
Francesco Malipiero: three sets of piano pieces (particular qualities of music language)
PDF (Українська)
Yaroslava Snitko
183-193
Peculiarity of String Quartet’s Genre’s Transformation in Benjamin Britten’s Creativity (on Example of Quartet No. 2 oр. 36)
PDF (Українська)
Anton Horodetskyi
193-202
Concerto for viola and orchestra by W. Walton - the first outstanding viola concert of the XXth century
PDF (Українська)
Natalia Skvortsova
202-211
Lamentation ХХІ: modern tendencies of dramaturgical comprehension of the genre
PDF (Українська)
Yulia Zhuravkova
211-223
Gian Carlo Menotti’s Opera «Martin's Lie»: characteristics of the genre model
PDF (Українська)